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'Game Night' Is Winning

In 2017, I wrote what felt like many words about the fall of the mainstream comedy, from the workshopped-into-anonymity flops (Rough Night) to the dead-on-arrival studio unloadings (The House). Someday in film-history textbooks, they’ll write about the arc that began with the mid-aughts shedding of the “alt-” from alt-comedy. The subsequent bro-driven, smart-stupid, and very profitable salad days of Knocked Up, Superbad, and The Hangover led tothe critical and commercial apex of Bridesmaids and the ascendancy of Melissa McCarthy, and continued into a long denouement, as Hollywood repeatedly reconfigures the same handful of elements all the way to 2018 — with notably diminishing returns.  What if two of the guys who wrote Horrible Bosses were turned loose on David Fincher’s The Game? The answer — or something like it — might lie in Game Night, in which a married couple (Jason Bateman and Rachel McAdams) find their weekly get-together with friends turned upside down when Bateman’s broth…

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